POEMS -- JULY
(Please send suggestions, feedback or commentary to timiimit@mockok.com )
July 28, 2013
July 7, 2013
Why My Mother Made Me
Maybe I am who she always wanted,
my father as a woman,
maybe I am what she wanted to be
when she first saw him, tall and smart,
standing there in the college yard with the
hard male light of 1937
shining on his black hair. She wanted that
power. She wanted that size. She pulled and
pulled through him as if he were dark
bourbon taffy, she pulled and pulled and
pulled through his body until she drew me out,
rubbery and gleaming, her life after her life.
Maybe I am the way I am
because she wanted exactly that,
wanted there to be a woman
a lot like her, but who would not hold back, so she
pressed herself hard against him,
pressed and pressed the clear soft
ball of herself like a stick of beaten cream
against his stained sour steel grater
until I came out the other side of his body,
a big woman, stained, sour, sharp,
but with that milk at the center of my nature.
I lie here now as I once lay
in the crook of her arm, her creature,
and I feel her looking down into me the way the
maker of a sword gazes at his face in the
steel of the blade.
--Sharon Olds
The Gold Cell
July 4, 2012
Shattered Celebration
Holiday soused air
breaks open
in hushed wallops, split
by screeching blades of
sound
without force enough
to penetrate and scoop
up thoughts
from history's trenches,
for on Independence Day
you refuse watermelon
slices
and barbecue picnics
to curl in your rocker
and fire up images
from last year's July
fourth
at the St. Paul's rodeo.
Fireworks' kinetic
waterfalls
can't be resurrected
over coffee steam next
morning,
so my voiced sparks send
you launching upstairs--
lit like a Roman Candle
spewing to join the
show.
Tense as a bullfrog
split seconds before the
hissing
firecracker blows,
city pets become coyotes
as you perch cat-calm on
window sill
and I crowd the ledge
with childish chatter.
To a beaming audience's
delight
glowing yellow jellyfish
floats
through smoke cloud
oceans.
Quicker than a
magician's bouquet
it implodes,
disappearing without trace.
Suddenly muscle after
muscle knots
while whistles streak my
numbing head.
Jerking like a puppet on
beginner's string,
I taste the sweat-salt
terror
of the vets' 4th:
guts taut, then spilling
shattered flesh rainbows
in a moist, tropic
squall
shamelessly inhuman.
--Nothing Else Matters
July 26, 2011
Polonius Passing Through a Stage
Try to be yourself, they told the child.
I tried. Accumulating all those years
The blue annuities of silence some called
Wisdom, I heard sunstorms and exploding stars,
The legions screaming in the German wood--
Old violence petrifying where it stood.
The company in my Globe Theatre rants
Its Famous Histories, the heroes fall
In ketchup and couplets. Ten heavenly don'ts
Botch up a selfhood, but where there's a Will
He's away. Rotting at ease, a ghostly doll--
What is that scratching on my heart's wall?
I tried to be myself. The silence grew
Till I could hear the tiniest Mongol horde
Scuffle the Gobi, a pony's felted shoe...
Then from the fiery pit that self-born bird
Arose. A rat! The unseen good old man--
That sort of thing always brings the house down.
Howard Nemerov
THE WINTER LIGHTNING
July 16, 2011
The Buddha's Last Instructions
"Make of yourself a light,"
said the Buddha,
before he died.
I think of this every morning
as the east begins
to tear off its many clouds
of darkness, to send up the first
signal--a white fan
streaked with pink and violet,
even green.
An old man, he lay down
between two sala trees,
and he might have said anything,
knowing it was his final hour.
The light burns upward,
it thickens and settles over the fields.
Around him, the villagers gathered
and stretched forward to listen.
Even before the sun itself
hangs, disattached, in the blue air,
I am touched everywhere
by its ocean of yellow waves.
No doubt he thought of everything
that had happened in his difficult life.
And then I feel the sun itself
as it blazes over the hills,
like a million flowers on fire--
clearly I'm not needed,
yet I feel myself turning
into something of inexplicable value.
Slowly, beneath the branches,
he raised his head.
He looked into the faces of that frightened crowd.
Mary Oliver
NEW AND SELECTED POEMS
July 3, 2011
The Answer
'Stop! Stop! Stop!
Stop in your tracks
Because you are not with us
You are holding everyone back.'
'Friend you and your friends go your way
And I'll go mine.
I've enough water to survive
But far too little wine.'
(Crocodilopolis Papyrus no. 10743)
--James Fenton
(OUT OF DANGER)
July 30, 2010
1954
Then dirt scared me, because of the dirt
he had put on her face. And her
training bra
scared me—the newspapers, morning and
evening,
kept saying it, training bra,
as if the cups of it had been calling
the breasts up—he buried her in it,
perhaps he had never bothered to take
it
off. They found her underpants
in a garbage can. And I feared the
word
eczema, like my acne and like
the X in the paper which marked her
body,
as if he had killed her for not being
flawless.
I feared his name, Burton Abbott,
the first name that was a last name,
as if he were not someone specific.
It was nothing one could learn from
his face.
His face was dull and ordinary,
it took away what I’d thought I could
count on
about evil. He looked thin and
lonely,
it was horrifying, he looked almost
humble.
I felt awe that dirt was so
impersonal,
and pity for the training bra,
pity and terror of eczema.
And I could not sit on my mother’s
electric
blanket anymore, I began to have a
fear of electricity—
the good people, the parents, were
going to
fry him to death. This was what
his parents had been telling us:
Burton Abbott, Burton Abbott,
death to the person, death to the
home planet.
The worst thing was to think of her,
of what it had been to be her, alive,
to be walked, alive, into that cabin,
to look into those eyes, and see the
human
--Sharon Olds
(published at http://www.poemhunter.com/poem/1954)
July 29, 2010
Boiler Bay
From Yaquina Head north to Otter Rock
sea and sky slowly gathered and grew dark
at mid-day. The wind turned itself around
inside caves it had carved into the land,
then curved over us with the open sound
of ecstasy. We took each other's hand.
In the May evening we began walking
the winter-beaten beach at Boiler Bay,
celebrating our fourth year together,
not knowing how far we could go this year
but ready to face the change of season
in a place without comfort or shelter.
Wrapped in layers of wool, we were talking
about the endless months of harsh weather
and watching the waves at dusk in their gray
mass building force for another night's storm.
When my cane sank deep in sand she held me
up and led me to the edge of the sea.
We stared at the vanishing horizon,
where a first hope of spring began to form.
--Floyd Skloot
(published at http://www.caffeinedestiny.com/poetry/skloot.html)
July 26, 2010
Drinking While Driving
It's August and I have not
Read a book in six months
except something called The Retreat from Moscow
by Caulaincourt
Nevertheless, I am happy
Riding in a car with my brother
and drinking from a pint of Old Crow.
We do not have any place in mind to go,
we are just driving.
If I closed my eyes for a minute
I would be lost, yet
I could gladly lie down and sleep forever
beside this road
My brother nudges me.
Any minute now, something will happen.
--Raymond Carver
July 23, 2010
As I Grew Older
It was a long time ago.
I have almost forgotten my dream.
But it was there then,
In front of me,
Bright like a sun--
My dream.
And then the wall rose,
Rose slowly,
Slowly,
Between me and my dream.
Rose until it touched the sky--
The wall.
Shadow.
I am black.
I lie down in the shadow.
No longer the light of my dream before me,
Above me.
Only the thick wall.
Only the shadow.
My hands!
My dark hands!
Break through the wall!
Find my dream!
Help me to shatter this darkness,
To smash this night,
To break this shadow
Into a thousand lights of sun,
Into a thousand whirling dreams
Of sun!
--Langston Hughes
July 20, 2010
When You Stop Growing
I'm not getting any taller.
A closet full of artifacts:
pants with 24 inch knees,
one double-breasted suit,
wide ties.
True, I'm using more belt.
But look, down inside
the skin, a child,
wiseacre, full of street cant
and knives, is clawing up
to see out of the eyeholes.
--John Woods
(published in TURNING TO LOOK BACK)
July 19, 2010
Morning Glory
The faces of the teachers
know we have failed and failed
yet they focus beyond, on the windowsill
the names of distant galaxies
and trees.
We have come in dragging.
If someone would give us
a needle and thread, or send us
on a mission to collect something
at a store, we could walk for twenty years
sorting it out. How do we open,
when we are so full?
The teachers have more faith than we do.
They have organized into units.
We would appreciate units
if we gave them a chance.
Nothing will ever again be so clear.
The teachers look at our papers
when they would rather be looking at
a fine scallop of bark
or their fathers and mothers thin as lace,
their own teachers remaining in front
of a class at the back of their minds.
So many seasons of rain, sun, wind
have crystallized their teachers.
They shine like something on a beach.
But we don’t see that yet.
We’re fat with binders and forgetting.
We’re shaping the name of a new love
on the underside of our thumb.
We’re diagnosing rumor and trouble
and fear. We hear the teachers
as if they were far off, speaking
down a tube. Sometimes
a whole sentence gets through.
But the teachers don’t give up.
They rise, dress, appear before us
crisp and hopeful. They have a plan.
If cranes can fly 1,000 miles
or that hummingbird return from Mexico
to find, curled on its crooked fence, a new vine,
surely. We may dip into the sweet
together, if we hover long enough.
--Naomi Shihab Nye
(published in FUEL)
July 18, 2010
A SHORT DROP TO NOTHING
I can’t say what of this day or its lack
has caused me to weary on this floating dock
in the drift of the water’s warp and wrest,
with the indifferent sun, that seed-heavy sack,
tremulous over the pines, spilling its chaff.
Geese lift from the far hill in the last light,
unfurl above alders, dip and scrape across the pond,
and I don’t know how much longer I can wait
as the wind, smelling of leaf rot and dung,
tugs the evening over this darkening land.
--Judy Jordan
(http://www.poetryresourcepage.com/poems/jordan.html)
July 17, 2010
The World of Ice Cream and Everything
--for Erin
My thirteen year old daughter and I drive
home from Dairy Queen. Heath Bar blizzards
are the focus of our day until we pass Texaco
with its green belt fir trees. Fifty feet up one tree
someone has nailed a hand-painted sign:
ABORTION IS MURDER.
This time of year the new growth
on fir trees looks like thousands of green hands
giving the finger. I see church men on tv,
martyrs for what is right,
right, and my god,
I'm driving, screaming,
Children, women.
This thirteen year old glides
a scoop of soft ice cream into her mouth.
She turns to me, smiles, says,
Dad, God isn't everything.
--Kevin Miller
(published in LIGHT THAT WHISPERS MORNING)
July 16, 2010
Gar
Gar unguarded
low inside Indiana's
two o'clock heat
strikes
the plastic lure and lets go--
not believing the world
has turned so hard.
It has.
And there are no limits to art.
So hand me that arrow
and take the paddle.
There, toward the teeth,
the shad-long
red
swallow.
But seeing it eat again
and again
for its own ancient self
makes my heart
so terribly full of gar,
the underworld
insatiability of it all.
Bow drawn
behind the steel point
its simple head
won't know from lightning
as we devolve
in the Eveless garden
without hunger
or knowledge.
Who needs to know the past
when we can see the gar
and kill it?
--Henry Hughes
(published in MEN HOLDING EGGS)
July 15, 2010
Dichos
It is easier to outsmart a fox
than to outswim a shark.
One out of every seven drivers is armed;
the other six have only their fingers.
History is the story we make up
to explain the inevitable,
for which we are never ready.
It is far more entertaining to watch the Pope
pretending to be a contortionist
than it is to watch a contortionist
pretending to be the Pope.
Geologists refuse to admit
that many stones seem to enjoy
moving from place to place.
The real problems of our culture
can be deduced from the fact
that we name mountains after men.
If you can't get what you want from me
with flattery, flatter my dog.
That always works.
--Richard Shelton
(published in THE LAST PERSON TO HEAR YOUR VOICE)
July 13, 2010
Braille
The fingers on this keyboard
have traced muscles
on your thighs and back,
even now struggling
to encompass what they touched.
They remember a potter's wheel
and clay that slipped
into forms the kilns hardened,
what flowers filled those pots,
what filled the air.
And they picked cherries, too,
high in sunny branches, and apples,
plums, even strawberries
coddled in straw. They kneaded
dough for pies and started
at the oven's hot breath.
Once they ran across a tongue's tip
and slid down pages of dictionaries
searching for the right word
to flavor their speech
until finally sleeping
in the marrow of their exhaustion.
These days they dance
to the artist on the radio
hiding your name in their impatience
drummed on the wheel
of a car they steer--
wanting a spine's landscape,
wanting a heart beat's map.
--Sally Jo Sorensen
(published in POEM)
July 12, 2010
For Whatever Reason
Power, Lust, Confusion, and desire.
Sweet embracements of our world on fire.
Let me lecture you on life, love, and death.
I'm sure you can figure out the rest.
Death can come as quickly as a bullet in the head.
It can come creeping slowly get you in bed.
Death comes regardless of your feelings.
It's the final card life is dealing.
Love, love is full of hills and valleys.
Like a captain to the thousand in the galley.
Life, There are plenty of highs and plenty of lows.
There are things I can teach you, but things you should know.
There are always ends that we have to meet at every corner on every street.
There are wishes that just seem to come true.
There are hopes in the distance called dreams, those are yours to pursue.
Material wealth has come to rule our kingdom.
Skeletons in our closets for whatever reason.
When you first held me my mystery was unleashed.
You turned me human from the beast.
We're whirling, trapped in a room, where no one else has the key.
Open your mind and set your soul free.
In just one moment I was no longer blind.
I watched as she made me with her eyes.
There has to be a reality different than the one I experience.
One not based on money or revenge, one based on fairness
We believed and entrusted good faith in so many, just to find lies.
Life has become routine, here's your ticket enjoy the ride.
Peace of mind exists in simple things, like waves crashing on the ocean shore.
By spending time with your loved ones just a little more.
Do you realize that our lives have become similar to a television?
Sometimes on, Sometimes off.
Why have we been left here never knowing when to cry, whisper, or talk?
--Thomas Ward
(published on World Wide Web)
July 11, 2010
The Summer Day
Who made the world?
Who made the swan, and the black bear?
Who made the grasshopper?
This grasshopper, I mean--
the one who has flung herself out of the grass,
the one who is eating sugar out of my hand,
who is moving her jaws back and forth instead of up and down--
who is gazing around with her enormous and complicated eyes.
Now she lifts her pale forearms and thoroughly washes her face.
Now she snaps her wings open, and floats away.
I don't know exactly what a prayer is.
I do know how to pay attention, how to fall down
into the grass, how to kneel down in the grass,
how to be idle and blessed, how to stroll through the fields,
which is what I have been doing all day.
Tell me, what else should I have done?
Doesn't everything die at last, and too soon?
Tell me, what is it you plan to do
with your one wild and precious life?
--Mary Oliver
(published in NEW AND SELECTED POEMS)
July 10, 2010
The Hound
was still standing in the narrow space
his forepaws resting against the side.
He must have leaped after the raccoon
from the large rock on the uphill slope
to the hollow, topless trunk
and losing his balance
slipped down to the tinder below.
How he must have bayed
might after thirsty night
at the moon and stars.
until the dry throat was silent
and the vital organs sucked moisture
from bone and muscle
until they too dried and mummified
and the eyes
could no longer watch the night sky.
--Arnold Perrin
(published in WINDOW)
July 9, 2010
Saint Francis and the Sow
The bud
stands for all things,
even for those things that don't flower,
for everything flowers, from within, of self-blessing;
though sometimes it is necessary
to reteach a thing its loveliness,
to put a hand on its brow
of the flower
and retell it in words and in touch
it is lovely
until it flowers again from within, of self-blessing;
as Saint Francis
put his hand on the creased forehead
of the sow, and told her in words and in touch
blessings of earth on the sow, and the sow
began remembering all down her thick length,
from the earthen snout all the way
through the fodder and slops to the spiritual curl of the tail,
from the hard spininess spiked out from the spine
down through the great broken heart
to the blue milken dreaminess spurting and shuddering
from the fourteen teats into the fourteen mouths sucking and blowing beneath
them:
the long, perfect loveliness of sow.
-- Galway Kinnell
Online Source:
http://faculty.washington.edu/jnh/vol1no1/sow.htm
July 8, 2010
Uncorked
My last view of Buddy
beat the soft tattoo of boots on the pier,
the bittersweet chocolate of
water-worn eyes
in the chanty of cigarette fireflies.
We knew his soul tapped
the dark singing barnacles,
the crab craven orgies of gulls
that scramble for scraps on the wharf.
He painted real portraits of crows
feather fringed crossing sun worms
funneled through hollows of warm
nights rendered in jazz
ringing glasses: paper bagged fifths
benched to the dawn edged drizzle mist
gay as the city warped clouds.
--Jo Nelson
(published in MAIN STREET RAG)
July 7, 2010
Rooms to Let Dream
So says a sign
on a harbor hotel
of an island city
named for Hermes.
So say the rooms
behind numbered doors
hermetic against
untimely waking.
From each door's
quicksilver knob
hang the words
Do Not Disturb--
magic posted
to safekeep
those winged bouquets
delivered in sleep.
--Paulann Petersen
(published in FIREWEED)
July 6, 2010
"Daddy" Warbucks
In Memoriam
What's missing is the eyeballs
in each of us, but it doesn't matter
because you've got the bucks, the bucks, the bucks.
You let me touch them, fondle the green faces
lick at their numbers and it lets you be
my "Daddy!" "Daddy!" and though I fought all alone
with molesters and crooks, I knew your money
would save me, your courage, your "I've had
considerable experience as a soldier...
fighting to win millions for myself, it's true.
But I did win," and me praying for "our men out there"
just made it okay to be an orphan whose blood was no one's,
whose curls were hung up on a wire machine and electrified,
while you built and unbuilt intrigues called nations,
and did in the bad ones, always, always,
and always came at my perils, the black Christs of childhood,
always came when my heart stood naked in the street
and they threw apples at it or twelve-day-old-dead-fish.
"Daddy!" "Daddy," we all won that war,
when you sang me the money songs
Annie, Annie you sang
and I knew you drove a pure gold car
and put diamonds in you coke
for the crunchy sound, the adorable sound
and the moon too was in your portfolio,
as well as the ocean with its sleepy dead.
And I was always brave, wasn't I?
I never bled?
I never saw a man expose himself.
No. No.
I never saw a drunkard in his blubber.
I never let lightning go in one car and out the other.
And all the men out there were never to come.
Never, like a deluge, to swim over my breasts
and lay their lamps in my insides.
No. No.
Just me and my "Daddy"
and his tempestuous bucks
rolling in them like corn flakes
and only the bad ones died.
But I died yesterday,
"Daddy," I died,
swallowing the Nazi-Jap animal
and it won't get out
it keeps knocking at my eyes,
my big orphan eyes,
kicking! Until eyeballs pop out
and even my dog puts up his four feet
and lets go
of his military secret
with his big red tongue
flying up and down
like yours should have
as we board our velvet train.
--Anne Sexton
(published on WorldWideWeb)
July 4, 2010
A LANDSCAPE WITH CRUTCHES
So many crutches. Now even the daylight
Needs one, even the smoke
As it goes up. And the shacks --
One per customer -- they move off
In a single file with difficulty,
I said, with a hell of an effort . . .
And the trees behind them about to stumble,
And the ants on their toy-crutches,
And the wind on its ghost-crutch.
I can't get any peace around here:
The bread on its artificial limbs,
A headless doll in a wheelchair,
And my mother, mind you, using
Two knives for crutches as she squats to pee.
--C h a r l e s S i m i c
(published in SECLECTED EARLY POEMS)
July 3, 2010
Blackberry
Eating
I
love to go out in late September
among the fat, overripe, icy, black
blackberries
to eat blackberries for breakfast,
the stalks very prickly, a
penalty
they earn for knowing the black art
of blackberry-making; and as I
stand among them
lifting the stalks to my mouth, the ripest berries
fall
almost unbidden to my tongue,
as words sometimes do, certain peculiar words
like strengths or squinched,
many-lettered, one-syllabled lumps,
which I
squeeze, squinch open, and splurge well
in the silent, startled, icy, black
language
of blackberry -- eating in late September.
published in SELECTED POEMS (Bloodaxe, 2001)
July 2, 2010
In Fear and Valor
My mother was afraid
and in my life her fear has hid:
when Perseus holds the Gorgon's head,
she cringes, naked.
Clothed in my body, wild,
even as I grew strong,
my mother, weeping, suffered
the whole world's wrong.
Vanquished and trembling before she died,
she claimed a place in my every limb:
my mother, lost in my stride, fears Death,
as I hunt him.
--William Stafford
(published in THE WAY IT IS)
July 1, 2010
The Power of Toads
The oak toad and the red-spotted toad love their love
In a spring rain, calling and calling, breeding
Through a stormy evening clasped atop their mates.
Who wouldn't sing--anticipating the belly pressed hard
Against a female's spine in the steady rain
Below writhing skies, the safe moist jelly effluence
Of a final exaltation?
There might be some toads who actually believe
That the loin-shaking thunder of the banks, the evening
Filled with damp, the warm softening mod and rising
Riverlets are the facts of their own persistent
Performance. Maybe they think that when they sing
They sing more than songs, creating rain and mist
By their voices, initiating the union of water and dusk,
Females materializing on the banks shaped perfectly
By their calls.
And some toads may be convinced they have forced
The heavens to twist and moan by the continual expansion
Of their lung-sacs pushing against the dusk.
And some might believe the splitting light,
The soaring grey they see above them are nothing
But a vision of the longing in their groins,
A fertile spring heaven caught in its entirety
At the pit of the gut.
And they might be right.
Who knows whether these broken heavens
Could exist tonight separate from trills and toad ringings?
Maybe the particles of this rain descending on the pond
Are nothing but the visual manifestation of whistles
And cascading love clicks in the shore grasses.
Raindrops-finding-earth and coitus could very well
Be known here as one.
We could investigate the causal relationship
Between rainstorm and love-by-pondside if we wished.
We could lie down in the grasses by the water's edge
And watch to see exactly how the heavens were moved,
Thinking hard of thunder, imagining all the courses
That slow, clean waters might take across our bodies,
Believing completely in the rolling and pressing power
Of heavens and thighs. And in the end we might be glad,
Even if all we discovered for certain was the slick, sweet
Promise of good love beneath dark skies inside warm rains.
--Pattiann Rogers
(published in THE TATOOED LADY IN THE GARDEN)
July 31, 2009
The Poet at Seven
She watched her hand flicker, flash out,
recoil, whiter than lightning,
thin as a snake's tongue, tensile;
and then the stain spreading
on the other child's cheek, a live thing
that transferred itself to her, her face.
Can the body have a life its own,
apart from the mind? Does it work
that way, swiftly, without intention?
Anger. Anger like her mother's. But
she felt no anger, seeing her friend's
red face, only wonder at what she'd done.
And wonder as she learned her mind
was a hidden place, deep as grass,
thick as the scent of peach-blossom,
quieter than sky seen through branches;
a quiet into which she moved, swimming
down, down, down through dark waters
toward trees, beasts, changing weather:
the place her self lived. It waited for her,
the country of resemblences.
--Beth Bentley
(published in VITAL SIGNS AN ANTHOLOGY EDITED BY RONALD WALLACE)
July 30, 2009
Futures
In spring my future
is but warm, humid air--lost
each time I expire.
--Tim Van Ert
July 29, 2009
Where to Look
beauty in your life
beauty in your wife
where do you look to find
...beauty in your strife?
--Tim Van Ert
(from A FIRST COLLECTION OF HAI-CHOO)
July 28, 2009
Toward The Heart of Priscilla Jean
Gee, Mom, I guess God
packed a lot of surprises
into your small but sturdy body:
a womb fearless enough to deliver
eight vibrant souls into this
challenging world,
and a heart big enough
to love them, and their own,
through storm after storm.
A heart this strong keeps making room
for the defects borne of the womb:
desertion and return,
failure and rebound,
loss of the innocent and
discovery of the eternal,
the proud coming out
and the humility of rebirth,
strength through persistence,
vulnerability to love and
wandering—yet never too far.
No wonder such a heart,
welcoming so many
so often
and so much,
has pulled a part of you
into its sphere!
Now, let all those hearts
that beat with your rhythm
return to you
the steady strength
needed to bear this trespass
and forgive all past trespasses.
Please allow us our small
jealousy that it’s your gut,
not one of your loving eight,
poised to smother you
with such visceral intimacy.
--Tim Van Ert
(from IF YOU LIVE, YOUR TIME WILL COME)
July 27, 2009
Coronado Beach
Sometimes
small things count--
just closing my eyes
without breaking stride.
The sand now reaches my senses
with a thousand warm fingertips,
a loving foot clasp
like when I cup Twister's
sharp feline fingers
as she splays out on her back--
paws waving languidly in the air.
Or when you twine
your fingers with mine
after I've pulled the covers
all the way up.
Carpet of fool's gold-sprinkled sand
vanishes in daydream flight with gull
on wind that fingers hair and smooths cheeks.
Cushioned pounding,
heel after heel,
dog bark and child shout,
blend with the sound of water
falling back onto itself.
Eyes still closed easily,
I hear your small cries
after my coarse barks--
body falling back
onto body
satisfied
with another small taste.
--Tim Van Ert
(published in SEEDS ON A WIND RIDE)
July 26, 2009
The Journey
One day you finally knew
what you had to do, and began,
though the voices around you
kept shouting
their bad advice--
though the whole house
began to tremble
and you felt the old tug
at your ankles.
"Mend my life!"
each voice cried.
But you didn't stop.
You knew what you had to do,
though the wind pried
with its stiff fingers
at the very foundations,
though their melancholy
was terrible.
It was already late
enough, and a wild night,
and the road full of fallen
branches and stones.
But little by little,
as you left their voices behind,
the stars began to burn
through the sheets of clouds,
and there was a new voice
which you slowly
recognized as your own,
that kept you company
as you strode deeper and deeper
into the world,
determined to do
the only thing you could do--
determined to save
the only life you could save.
--Mary Oliver
(published in NEW AND SELECTED POEMS)
July 25, 2009
The Sun Bathers
A tramp thawing out
on a doorstep
against an east wall
Nov. 1, 1933:
a young man begrimed
and in an old
army coat
wriggling and scratching
while a fat negress
in a yellow-house window
nearby
leans out and yawns
into the fine weather
--William Carlos Willams
(published in SELECTED POEMS Edited by Charles Tomlinson)
July 24, 2009
Time to Take the Dive
Music flows before the wine
To pair's peninsulas washed
south Atlantic torrid.
In her placid head surf sounds
Repeat simple and soothing.
In his, driftwood from past ports;
Fallen Troys litter sea floor
with columns in ruin.
Throughout the song breaks they float
Until a melody pulls
two bodies together.
Finally, the lights come on.
Everywhere in her body,
Somewhere outside his sweep
Her heart still beats--some place
beyond his beach retreats.
Warmed by her Samba rhythms
What new shore waits to welcome
this Sao Paulo mermaid?
--Tim Van Ert
July 23, 2009
Summer Suitor
July's tardy sun slides below your horizon.
In their high pitch, mosquitoes summon seconds
convert from wave to point
as thoughts press to become flesh.
I watch your form raise its mockery
of sunset's unlimited line
and call out honey in tribute
to day rendered dusk by your sex.
Morning reminds me I won't stand
in muddy water till it clears.
So I carry away your love songs
like a wool suit in summer--
attractive, moist angles always itching inside.
The road's myriad voices ask me
what one voice-loss means.
Then I recall my Catholic mass choir:
first bass tremor's reassurance
that my deviance would not upset.
How will you receive me next time I warm
your foggy driveway with soft songs,
dressed loudly yet heard to mumble
words you mistake for secrets--
resist every impulse to pull
pointless clothes from my body?
--Tim Van Ert
(published in SEEDS ON A WIND RIDE)
July 22, 2009
At the Esalen Baths
White-breasted like some beat penguins
the chorus of visiting dancers moves
slowly enough to be constantly touching,
weight shifting nervously between lower limbs.
Toweled torsos deny distinctive form
until, shook loose by giggles, they are molted.
Moving down the warm, wet, wooden steps
after disrobing all but their thoughts
they enter a room lit orange and red by human skin,
Like a brothel--minus the honky-tonk!
A more relaxed rhythm, the ceaseless surf,
is background music to the stops, gasps and groans
of tension released from brethren organs.
Older skin relaxes into crinkles,
fat shows itself in haphazard bulges--
like straw stuffed to make bedding,
quick, before the fire cools.
Aging breasts seek a resting place
closer, now, to the earth's center.
--Tim Van Ert
(from IF YOU LIVE, YOUR TIME WILL COME)
July 21, 2009
Smokescreen
When the patience of patients
is required for staying
The doctors' doctoring,
I feel myself praying
that the doctor's patience
isn't sacrified to the patient's doctoring!
--Tim Van Ert
(from COLLECTED WORDS)
July 20, 2009
World Series
tell the cook to rip
my tv arms and legs
from dull diamonds
as I worship shadow play
--Tim Van Ert
(from A FIRST COLLECTION OF HAI-CHOO)
July 19, 2009
The Eye
The narcissist's eye is blue, fringed with white and covered
with tempting salad leaves.
The purse-stealer's eye is yellow.
The eye of the non-combatant is white. In the center is a
target rendered in green and black.
The voluptuary's eye comes to a point. It is like a silo, the
echo of a halo.
The gravedigger's eye is hollow. It is surrounded by a
thoroughly contemporary serenity.
The dynamite salesman's eye is like a pool, in which he who
leans to drink may be lost. Drifting forever, like a cloud.
The maiden's eye is tucked under.
The billiard-player's eye comes to a point. It is like a mild
wine. Each billiard-player suffers from imperfect nostalgia.
The ghost's eye is green.
The poet's eye is like a candy.
The battleship captain's eye is like the light that falls in a glen,
when the doe has done with drinking.
The eye of the realist is inflatable.
--Michael Benedikt
(published in CONTEMPORARY AMERICAN POETRY
edited by Donald Hall)
July 18, 2009
Still I Rise
You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I'll rise.
Does my sassiness upset you?
Why are you beset with gloom?
'Cause I walk like I've got oil wells
Pumping in my living room.
Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I'll rise.
Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops,
Weakened by my soulful cries.
Does my haughtiness offend you?
Don't you take it awful hard
'Cause I laugh like I've got gold mines
Diggin' in my own back yard.
You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I'll rise.
Does my sexiness upset you?
Does it come as a surprise?
That I dance like I've got diamonds
At the meeting of my thighs?
Out of the huts of history's shame
I rise
Up from a past that's rooted in pain
I rise
I'm a black ocean, leaping and wide,
Welling and swelling I bear in the tide.
Leaving behind nights of terror and fear
I rise
Into a daybreak that's wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise.
--Maya Angelou
(published in AND STILL I RISE)
July 17, 2009
Edinburgh
Some motion in the train
frightens my stomach,
a notion in the brain
makes my mind queasy,
yet it's alienation
names my gut reaction.
Snake-bit, I slither
through my entrails
into that eternity
which holds my tale.
This perpetual pause
in waterfall mid-drop
is a silent answer
to the body vibrato;
the bass in this case
still reverberating
to the resonance
of a days' activities:
winds of fate at 40 miles per
past perpendicular thumb
blow refuse down darkened lanes
walked through retired beats
light shreds and colored threads
where heavy glasses had hung
see somebody's lover
reaching to kiss her
she who laughs without effort,
stunningly praising my German.
The train has stopped
but alienation rolls on--
time to talk to intestines,
or just to spill my guts?
--Tim Van Ert
(from CREATE THAT LOVE THAT LOVE CREATES)
July 16, 2009
Islands of Time Connected
Move like that lucky ol' sun--
in no rush and no hurry.
Find no race needs be run
when you stay hushed and blurry.
--Tim Van Ert
(from A FIRST COLLECTION OF HAI-CHOO)
July 15, 2009
Seed
Mind like winter sea,
choppy, with all life
sinking for shelter--
March. Still
no dolphins lift
water's horizon
in games of chase.
I roll over
showers and grey skies
toward piercing light that startles
plunged soul.
Brain lets slip like water
a prayer to praise
the steady heart
pumping in my chest
break surface and fly.
--Tim Van Ert
(published in SEEDS ON A WIND RIDE)
July 14, 2009
Rainer
With so much
I don't know
and still so much
I have forgotten
I rejoice
for the wisdom
I have embraced
and incorporate the
brightness of memories
time cannot, and
Tim will not, erase.
--Tim Van Ert
(fron CREATE THAT LOVE THAT LOVE CREATES)
July 13, 2009
Sunset San Francisco
Breeze's salty air
Invites eyes to drink:
Bobbin' bodies, to
Whales rockin', fro
Thought-waves come and go.
Reflections dance
Along the waves
Resting restlessly
In shoreline fires
and children's eyes.
Drawing the day's
Last inward breath
All eyes mirrors
Reflecting there
E'er burning source.
Let's no human form
Obstruct heaven's show
Clouds beyond our grasp
Reach out to comfort
Trav'ling father sun.
Where my friend is the glory
The long-awaited sparkling
Of colors' brilliant delights?
Shall we put our gaze to sea
Let it soar free through the skies
Or dare we turn and see
The light in His children's eyes?
--Tim Van Ert
(from COLLECTED WORDS)
July 12, 2009
Halloween, 1995
That was the night when the body dropped
its skin, the last costume fled the attic
and my father lay in his electric bed.
Where did the hair go? An old tree sheds
twigs like memory. The children
in wigs run loose, palms out,
swallowing mystery and sugar
while my drugged father, untethered
at last, turns blue from the toes up.
After the clock chokes on its magic number
who lets the air in? When night seeps through
the eyes the tongue will forget its dance.
As the blue licked at his knees
we struggled like blind worms flushed
by rain, stranded in light. Don't children stop
at the edge of the woods? Don't saints
hold out their hands? Then the nurse said:
What's farthest from the heart dies first.
--Gary Stein, Silver Spring, Md.
(published in JAMA, October 27, 2004--Vol 292, No. 16)
July 11, 2009
Ducks
We thought of ourselves as people of
culture.
How long will it be till others see us as that way again?
In her first home each book had a light around it.
The voices of distant centuries
floated in through open windows,
entering her soup and her mirror.
They slept with her in the same thick bed.
Someday she would go there.
Her voice, among all those voices.
In Iraq a book never had one owner--it had ten.
Lucky books, to be held often
and gently, by so many hands.
Later in American libraries she felt sad
for books no one ever checked out.
She lived in a country house beside a pond
and kept ducks, two male, one female.
She worried over the difficult relations
of triangles. One of the ducks
often seemed depressed.
But not the same one.
During the war between her two countries
she watched the ducks more than ususal.
She stayed quiet with the ducks.
Some days they huddled among reeds
or floated together.
She could not call her family in Basra
which had grown farther away than ever
nor could they call her. For nearly a year
she would not know who was alive,
who was dead.
The ducks were building a nest.
Naomi Shihab Nye
(published in FUEL)
July 10, 2009
Recomposition
Summer screen door puckers, then smacks--
eructation of twin dust devils sired
by sudden acceleration through
a threatening squall of grey smoke
his lungs had spent hours exhaling.
He pauses on the porch, shakes head-to-tail
in ritual seduction of brighter humor,
then emerges expectant like the lipstick glossed
gladiola petal pushing past thin-sliced green sleeves.
Pasty face beneath red waves quickly dons
the newborn scowl of one introduced too soon to light.
Scrap pile rot radiates musk, directs olfactory tales
to settle into his cozy-couched mind as he goes
to his garden around the corner of the shed.
Instinctive smile greets plants in moats of holy water
sprinkled to bless their emerging leaves.
Mid-stride still, he leans forward--
his hug a thermometer of compost bin's radiance.
Lifting the lid is a two-sided struggle as worms,
mites and pill-bugs hustle for their lost darkness.
Seen from one corner of his eye a beast sharp
blue as steel settles on his open sandal.
First wasp glance animates mind and body
with adrenaline's prickly alarms,
while the steady gaze recruits
the balanced defense: a composed respect
for the uplifting marvel of organic design.
--Tim Van Ert
(published in NOTHING ELSE MATTERS)
July 9, 2009
Civilization
Humanity, aging child,
now weans from Mother Nature;
lets fall her flowing breast milk
to search for other secrets.
--Tim Van Ert
(from
A FIRST COLLECTION OF HAI-CHOO--LITTLE SNEEZES
OF PROFOUND DITTYCISM)
July 8, 2009
WISE
Warum mich
-warum nicht?
Warum dich? Warum sicht…
[Why me – why not?
Why you? Why the lot..?]
--Tim Van Ert
(from
A FIRST COLLECTION OF HAI-CHOO--LITTLE SNEEZES
OF PROFOUND DITTYCISM)
July 7, 2009
Salmon Berries
You yell as you slow,
"Goin' to Huckleberry Ridge!"
We are soon talking
about wild strawberries
tasted fresh from the ground
in Mount Adams' wilderness.
My mind swerves to raspberries,
dark and full of tiny seeds
that always take up lodging between my teeth.
They can stay where they lay--
beside all the commercial fruits
in the grocery store.
You wonder if salmon berries
ever grow this far east?
Yesterday I saw a huge black bear
paw through a distinctive patch.
Those are bears of a black that shines,
we agree in smiling respect.
Heading opposite you at the trail, I walk alone
through a horde of huckleberries
when a pair of fleshy orange globes flash
their response to your question.
One rests on your still-warm car seat.
I ate the smaller one.
--Tim Van Ert
(published in THE COMSTOCK REVIEW)
July 6, 2009
Catching
I feel silly being here--
I've just got a cough.
Not like any other, though...
There's nothing to it--just a cough.
If it was bronchitis, OK,
I had that before plenty.
So then hayfever runs
through my head.
What d'ya say, Doc,
allergies?
I don't even have a fever;
you must think I'm nuts!
Nothing hurts, just this
nagging cough
keeps disturbing
my sleep, my dreams.
Ya know, Gramp's got lung cancer...
--Tim Van Ert
(published in ARCHIVES OF FAMILY MEDICINE)
July 5, 2009
On the Debt My Mother Owed to Sears Roebuck
Summer was dry, dry the garden
our beating hearts, on that farm, dry
with the rows of corn the grasshoppers
came happily to strip, in hordes, the first
thing I knew about locusts was they came
dry under foot like the breaking of
a mechanical bare heart which collapses
from an unkind an incessant word whispered
in the house of the major farmer
and the catalogue company,
from no fault of anyone
my father coming home tired
and grinning down the road, turning in
is the tank full? thinking of the horse
and my lazy arms thinking of the water
so far below the well platform.
On the debt my mother owed to sears roebuck
we brooded, she in the house, a little heavy
from too much corn meal, she
a little melancholy from the dust of the fields
in her eye, the only title she ever had to lands--
and man's ways winged their way to her through the mail
saying so much per month
so many months, this is yours, take it
take it, take it, take it
and in the corncrib, like her lives in that house
the mouse nibbled away at the cob's yellow grain
until six o'clock when her sorrows grew less
and my father came home
On the debt my mother owed to sears roebuck?
I have nothing to say, it gave me clothes to
wear to school,
and my mother brooded
in the rooms of the house, the kitchen, waiting
for the men she knew, her husband, her son
from work, from school, from the air of locusts
and dust masking the hedges of fields she knew
in her eye as a vague land where she lived,
boundaries, whose tractors chugged pulling harrows
pulling discs, pulling great yields from the earth
pulse for the armies in two hemispheres, 1943
and she was part of that stay at home army to keep
things going, owing that debt.
--Edward Dorn
(published in CONTEMPORARY AMERICAN POETRY
edited by Donal Hall)
July 4, 2009
Two Men
and two women were racing. Sometimes
a man won, sometimes a woman.
In the course of this event, the contestants
grew fond of one another. The men
were ashamed of themselves, however,
and each chose a wife.
Now the teams raced. Sometimes one team
won, sometimes the other.
"Let's make this more interesting,"
said the men and they gave one of the women
a Norge and a Hoover and a Singer to carry.
The other had to hold a baby and every
so often douche or shave her legs without
stopping and without putting down the baby.
Sometimes one of the women won, sometimes
the other.
"Let's get in on this," said the men
and they sprinted to the wire, looking back
over their shoulders and laughing.
"It's all over," they said, "we won."
But the women kept on
coming.
--Ronald Koertge
(published in VITAL SIGNS an anthology
edited by Ronald Wallace)
July 3, 2009
Earth Lesson
The greater your faults
the more devastating
each quake.
I swear I hear the earth grumble
before I lift my bloody lips
from floor's hard kiss.
--Tim Van Ert
(from
A FIRST COLLECTION OF HAI-CHOO--LITTLE SNEEZES
OF PROFOUND DITTYCISM)
July 2, 2009
Pacific Crest Trail Ascent
Whistled screech ricochets
off cold mountain boulders.
Two explorers halt.
The yearling marmot
pauses to eye me,
hurdles back uphill.
Hanging high overhead,
spectral compact disk image
disappears as I pass
under wild spider's
summer fishing net.
Mountain blueberries wait
for August's sunny month
to offer juices to tired packer--
water replaces sweat,
sugar invigorates muscles,
wordless chewing rejuvenates.
Four inches deep in clear water
speckled frog kicks ninety degrees left,
faces his observer head-on.
After surfacing for air and a closer look,
he darts away in search of prey.
Drawing tight its string of survey circles
compact hawk drops like a stone
to lift away the flopping trout.
We both have enough for now.
--Tim Van Ert
(published in SEEDS ON A WIND RIDE)
July 1, 2009
Shattered Celebration
Holiday soused air breaks open
in hushed wallops, split
by screeching blades of sound
without force enough
to penetrate and scoop up thoughts
from history's trenches,
for on Independence Day
you refuse watermelon slices
and barbecue picnics
to curl in your rocker
and fire up images
from last year's July fourth
at the St. Paul's rodeo.
Fireworks' kinetic waterfalls
can't be resurrected
over coffee steam next morning,
so my voiced sparks send
you launching upstairs--
lit like a Roman Candle
spewing to join the show.
Tense as a bullfrog
split seconds before the hissing
firecracker blows,
city pets become coyotes
as you perch cat-calm on window sill
and I crowd the ledge with childish chatter.
To a beaming audience's delight
glowing yellow jellyfish floats
through smoke cloud oceans.
Quicker than a magician's bouquet
it implodes, disappearing without trace.
Suddenly muscle after muscle knots
while whistles streak my numbing head.
Jerking like a puppet on beginner's string,
I taste the sweat-salt terror
of the vets' 4th:
guts taut, then spilling
shattered flesh rainbows
in a moist, tropic squall
shamelessly inhuman.
--Tim Van Ert
(published in NOTHING ELSE MATTERS)